I watched the Oscars last night, mostly because the film Inception is heavily based on my unsuccessful career in telepathic bowel evacuation techniques, but also because I am distantly related to King George VI via a scion of the Vortigern branch of ancient Romano-British nobility. Unfortunately, It is unknown whether this common ancestor of ours suffered from a stammer, since his tongue was ripped out at birth by a rival Saxon claimant to fertile lands due west of the Incestium stronghold (current day Stagnantpool).
And if I may boast of yet another connection with Hollywood's most glamorous night of the year, I also once visited Oscar-night presenter Anne Hathaway's lovely cottage in Stratford Upon Avon. Alas, the popular actress was not at home at the time, and for some reason I had to pay to get in, but I was pleased to see that Anne was very fond of antique furniture, even if most of it was pushed against the walls and roped off. She might want to do something about that dreadful musty odor as well, if you ask me.
Finally, I have been a member of the Academy for over twenty-five years: my short film Gibbon's Decline and Fall of the Roman Empire was nominated for "Best Adapted Screenplay from a Preposterous Book to Adapt a Screenplay From." We also earned a "Best Supporting Actress in a Dubious Role" nomination that year for Gloria Perkins' performance as Diocletian's Slave Girl.
So, as you can plainly see, the Oscar telecast holds a great deal of interest for me both personally and professionally. Consequently, I always make time to watch the awards ceremony, unless of course there happens to be a house burning down across the street that I can stand and stare at, or a terrible motoring accident in the immediate vicinity that I can hover around.