About thirty years ago, when I was as impressionable as Silly Putty and as pretentious as paisley patterned lining in a navy blazer, I bought a paperback copy of The Sailor From Gibraltar by Marguerite Duras. It had a beautiful cover of airbrushed periwinkle blue.
For some reason, I presumed the novel chronicled a louche matelot who haunts the quayside cafes, smoking endless Gauloises, drinking bottomless Pastis, flaunting an irrepressible sardonic wit, deliberately involving himself with various femme fatales. Alas, it wasn't about such an estimable person.
In fact, I can't recall exactly what the book was about. Was there perhaps a hint of the Flying Dutchman as reimagined as a Harlequin Romance by Simone de Beauvoir? Something like that at any rate. All I know for certain is that I enjoyed being seen with the book more than I enjoyed reading the words it contained. Page twenty was roughly the limit of my progression through its, to my mind, unpalatable story.
Nevertheless, The Sailor From Gibraltar remains in my possession to this very day, and, like the island rock itself, is an object of some dispute.
I shelve my books by the "moods" they exude. There are shelves of serious academic endeavor, a shelf of biting satire and a shelf of witty ephemera, shelves of melancholy memoirs and shelves of inspiring biographies. There are shelves for highbrow novels, middlebrow novels, and lowbrow novels. Evelyn Waugh's novels are all over the place. I have a shelf of cartoons and a shelf of artist monographs. I even had a shelf of classic children's books but I outgrew that phase.
Suffice it to say, this organizing system makes no sense to anyone but me, and I am often bemused by its admittedly dubious logical structure, especially when it comes to the question of where to put The Sailor From Gibraltar
You see, since I didn't finish reading the book I've no idea of its mood. Should it be shelved alongside Robert Musil's Man Without Qualities or Jane Austen's Pride and Prejudice or the The Layman's Guide To Chiropractic Relief (Revised Edition)? So hard to know, despite trying to discern clues from the extensive blurb on the back cover.
At the moment, it's ignominiously sandwiched between a lavishly illustrated guide to gilded-age ocean liners and the left side of the bookshelf, where the book's only attractive feature, it's periwinkle blue cover, cannot be seen. The spine, unfortunately, is nothing to write home about.
But I suppose, ultimately, the mood The Sailor From Gibraltar evokes in me is nostalgia. Nostalgia for distant, halcyon days when a callow me thought gadding around the Mediterranean with only easily resolvable, self-manufactured troubles was a still an achievable destiny; a time when I bought books solely because I wanted to be on their covers.
I should probably donate it to the local library. Or better yet, list the thing on eBay. After all, you don't see that cover very often; it might fetch a pretty penny or two. You never know.