Sonny Twistleton sounds like he might be a second-rank alto-saxophonist from the fifties, perhaps best remembered for an especially wistful version of Blackberry Winter, or a witty, slightly self-mocking take on They All Laughed, somehow looking out of place anywhere except in mid-century monochrome on a Blue Note album cover.
Alas, the Sonny Twistleton I know cuts a very different figure. He's more of an out-of-tune and out-of-step sousaphone player in the country's most disorganized marching band, except this Sonny is so unfit and overweight he couldn't march very far without gasping for air and needing to stop. You are what you eat, they say, and Sonny's face betrays a sallow, greasy pallor not dissimilar to the appearance of packaged cheese.
His parents must have been overly optimistic when they named him Sonny. Windy or Podgy would be more appropriate. Even that surname, Twistleton, seems too lightweight and sprightly for the clumsy and obese being whom it identifies. It is a blue sky weather forecast sort of name that belies the disappointing gray clouds and oppressive humidity the day actually brings. At least that was my experience of meeting Sonny for the first time at my sister's wedding.
One of my social anxieties is a deep-rooted fear of being marooned for hours amongst a group of people I'd normally regard as a particularly contagious colony of lepers. So I was relieved when I saw "Sonny Twistlerton" printed in flowing script on the place setting that established his presence at our table. 'I'm going to get along with someone called Sonny Twistleton,' I said to my wife. Then he sat down and I immediately heard the ringing bells and began to imagine chunks of my flesh falling off.
For the sake of accuracy and fair warning, Sonny's name card should really have been printed in Comic Sans instead of a flowing script. Maybe even one of those unlettered, symbolic fonts that are composed of bold-face rhomboids and pineapple shapes. As the night progressed he proceeded to spill a glass of red wine all over the white linen tablecloth, demolish a tier of wedding cake with the elbow of his ill-fitting suit, and belch explosively during a sentimental and tender moment in my father's speech. I'm not going to mention his soul-crushing conversation, most of which concerned his many personal problems described in grotesque, too-much-information detail.
I thought I'd never see him again after the wedding but I was wrong. There is a large photograph of me making a toast to the happy couple prominently displayed on my parent's mantelpiece. Just to the left of my dapper frame, the unmistakable face of Sonny Twistleton emerges from the background, bleached by a flashbulb, resembling more the dulled off-white color of a dead fish belly than the packaged cheese of actuality.
Of course, it turned out that "Sonny" printed on his place setting was an egregious typo. It should have been "Sammy," a name that although carrying no unfavorable connotations for me is obviously not as ultra-cool sounding as Sonny. In fact, it is a name that could go either way if you ask me: oaf or fine fellow depending on geographical origin and upbringing. Whatever, suffice it to say, I would not be as surprised by a Sammy Twistleton with the personality of a flatulent baboon as I was by a Sonny Twistleton exhibiting the same alarming mannerisms.
You might be thinking it a trifle ironic that a Stephen should be such a snob about names. It is, I must admit, quite a common name in all meanings of the word "common." The proximity of anyone happy to be called Steve must surely be considered a viable threat to the stability of Western civilization, as all sane people will agree, no matter what their names are. So I am thankful for the 'ph' in my spelling of Stephen. It adds that touch of class, the hint of quality that the 'v' spelling obliterates. And you know you'd much rather be reading the thoughts of Stephenesque than the ramblings of Stevenesque.